I can’t remember when I fell in love with historical
fiction, although I know that I learned to read with picture books depicting
Empress Sissi and Franz Joseph’s Vienna. I didn’t have television until I was eight
years old, so while my first-grade classmates were obsessed with “Flipper” and “Batman,”
I had my nose firmly buried in Treasure
Island, Ivanhoe and The Last Days of Pompeii.
I was not only learning history through my readings, I was also taking sides. At
age nine, I couldn’t decide who was the worst foe in the Civil War: The Union
that almost burned Tara and kept Ashley Wilkes a prisoner, or the Confederates,
who kept Reverend March from returning to his Little Women.
I grew up hooked on books, films and tv shows set in bygone days. My hobby paid off
on my senior year, when I got the highest grade in my class in the Social
Studies Regents. My history teacher advised me to devote myself to the study of
past events. What none of us realized then was that being a historical fiction
fan did not make me a historian, a fact I learned in college from dull classes
where I had to cram my head with dates and statistics. I loved historical
novels precisely because they romanticized true events. On
that note, I switched majors, from history to comparative literature. It took
me years to learn another lesson. History makes the greatest literature
precisely because it is based on true events.
Humans are in love with the past, that’s a fact. Our past,
our ancestors ’past, anybody’s past. It’s why period dramas and historical
fiction always have a following. Television
overflows with homage to bygone days, whether it is a nostalgic view to recent
decades (“The Americans,” “Call the Midwife”) or shows like “The Crown,” “Reign,“
or ”Victoria” that satisfy our incessant, almost snobbish, curiosity with the
private lives of royalty.
Sadly, this proliferation of historical but fictional
material does not guarantee quality products. The genre has given birth to
facile clichés that have become the Cliff Notes of producers, writers and
directors. There is practically an ideological
need to implant modern canons of political correction in stories set in times
when such canons were unknown. Finally, just as it is easy to grab hold of
clichés, it is also easy to cloak weak scripts with sex and gore. The result is
that a public who never cared much for history lessons feels it’s being
educated by this pseudo historicity. It comes to a point when we have people thinking
“Game of Throne” does take place on The Middle Ages. After all, it is not less
fantastic than “Versailles” that supposedly covers the scandals at The Sun King’s
court.
Philippe D' Orleans and Chevalier de Lorraine. Renly and Ser Loras of Versailles |
It’s been an old
dream of mine to draft a blog devoted to period pieces, but I resented
competing with so many fine ones already in existence. I needed a different
angle, and the mediocrity that affects recent examples of the genre seems to
provide it, but I just don’t want to focus on historical blunders. We have the
excellent Hollywood vs History
for that purpose. What I want is to review period pieces looking for reasons
behind the manipulation of historical facts.
I would analyze how
fiction has shaped the image of public figures in popular imagination. How has "Taboo"changed our perception of the Regency Era?Why is it that we yet can’t make our minds as
to whether Anne Boleyn actually committed adultery ? Could it be that mean Bloody Mary
was, in fact, the lovely, sensitive, abused child of “The Tudors”? If Bonnie Prince Charlie was really the
nincompoop portrayed in Outlander, why
has he become such a beloved legend?
I would also like to examine how fiction endeavors to solve historical
mysteries like the possibility of Perkin Warbeck being one of the Princes in
the Tower or what really happened in Mayerling. Was Cesare Borgia his sister’s lover? Why did
the Queen of France gave birth to a black baby? And so many more examples.
I hope this blog will attract other historical fiction
addicts as well as those immersed in historical research. I will concentrate on
films and television series, but I will also mention literary works and
historian’s point of view when it is deemed necessary. So…Welcome!
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